Making Paper in a Paperless World: An Interview With Pulp and Deckle

In 2012, Jenn Woodward and Gary A. Hanson started a papermaking studio. Based out of Portland, Ore., Pulp and Deckle manufactures paper and gives workshops and classes about the process. Recently, I had an opportunity to chat with Jenn about her studio.

In a paperless world, you’re making paper. What was the impetus to start such a business? A lot if it came from living here in Portland. There’s a vibrant small business culture, and there’s such an emphasis on “green.” The types of papermaking we’re doing (recycled paper, plant-based paper) is a slow, sustainable art form.

For me, a major part of the appeal is having a connection to how something is made. It transforms your understanding of it. When you go to the farmers market, or go to a woodworker’s furniture store, you’re voting with your dollars to say you want to connect with your food or your furnishings on a deeper level. You want to know who planted it, who carved it, etc. That’s what we’re all about.

I think papermaking is kind of magical. It’s one of those art forms that not many know about. I like showing people that something they take for granted in their everyday environment can be special and imbibed with meaning, beauty and purpose.

How’d you get into papermaking in the first place? I first learned about papermaking while getting my MFA at the Museum School in Boston. I was doing a lot of drawing and mixed media work and got interested in making my own surfaces to work on. I got really into making onionskin papyrus…

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