Writing checks, it is still remarkably easy to slip up and write “2013.” Winter continues its gleefully brutal assault on much of the United States. The new year seems to have hardly begun — and yet, in these mewling kitten days of 2014, Hollywood has already collected $2 billion, Box Office Mojo reports:
As of Sunday, total domestic box office earnings have surpassed $2 billion in 2014. To date, the box office is up around eight percent from last year. If that pattern continues, 2014 would come close to being the first $12 billion year.
When speaking of billions, two is a lot, twice the number of cars in the entire world, and twelve is a-LOT-a-lot, the age of the oldest star clusters. What is behind this tremendous success? Well, a couple of Oscar-season carryovers from 2013, including ”Frozen,” which won Best Animated Film and Best Original Song AND is officially the fastest-selling digital release ever; and ”American Hustle,” which was all flirting and no followthrough, awards-wise, but still an entertaining entry.
Three 2014 originals of varying quality round out the top five earners of the year so far: ”The Lego Movie“ (with a score of 82 on Metacritic), ”Lone Survivor“ (60), and ”Ride Along“ (41). That is to say, Hollywood had made an ocean liner full of cash in just a few months, primarily from the following: two “prestige” pictures, one about women and one co-starring women; one highly regarded children’s film; one gritty war drama; and one urban buddy cop comedy. Not one is a sequel, or based on a comic book, or a board game, or a ride at Disneyland.
Does it really matter, you may ask. Even if original stories, taking seriously the experiences and points of view of children, women, African-Americans, soldiers, and toys, are making bank, will Hollywood ever change?