“Welcome to the paradise of the modern artist.” – An Interview With Tom Toro, ‘New Yorker’ Cartoonist
The Salesman The Salesman was an older gentleman with a smoker’s cough and a bad gossip-site habit. He read Perez Hilton every day at 4 p.m., for one hour, while cackling and reading tidbits out loud over my cubicle wall. He left the office promptly at five, often with his manager, a brusque but nice woman with a penchant for pantsuits, usually off to a bar around the corner to have a cocktail and dish before getting on the BART and heading back to San Francisco’s East Bay. As bosses go, he was one of the best I’ve had: low maintenance, trusting, out of my hair. His teeth were the worst I’ve seen, jagged and brown, but he had a nice smile, a quick laugh and shared my passion for sotto voce gossip, shared in quick bursts every hour. Usually, our subject was the head of sales, a pompous jackass who spent the entire year I worked there calling me Heather. The Salesman used to joke that he came with the building, and for a while, I believed him.